• SoundStage! InSight  - Estelon History and YB and Extreme Loudspeakers (September 2017)
  • SoundStage! Shorts - What Makes Hegel Different? (August 2017)
  • SoundStage! Shorts - Estelon Extreme Legacy Edition Loudspeaker (July 2017)
  • SoundStage! InSight - Amphion Overview and Technologies (July 2017)
  • SoundStage! Insight - Totem Acoustic Signature One Loudspeaker (June 2017)
  • SoundStage! Encore - The Cowboy Junkies'
  • SoundStage! Shorts -- Anthem's STR Integrated Amplifier (May 2017)
  • SoundStage! Shorts -- Paradigm's Perforated Phase Alignment (PPA) Lenses (March 2017)
  • SoundStage! InSight -- Paradigm's Persona 9H Loudspeaker (March 2017)
  • SoundStage! InSight -- Contrasts: Dynaudio's Contour and Focus XD Speaker Lines (February 2017)
  • SoundStage! Shorts - New Technologies in MartinLogan's Masterpiece Series
  • SoundStage! Shorts - Dynaudio/Volkswagen Car Audio (December 2016)
  • SoundStage! InSight - Gryphon Philosophy and the Kodo and Mojo S Speakers (January 2017)
  • SoundStage! Shorts -- What's a Tonmeister? (November 2016)
  • SoundStage! InSight - AxiomAir N3 Wireless Speaker System (December 2016)
  • SoundStage! InSight - Bang & Olufsen BeoLab 90 (November 2016)
  • SoundStage! Shorts - Gryphon Diablo 120 Integrated Amplifier (October 2016)
  • SoundStage! InSight - Dynaudio History and Driver Technology (October 2016)
  • SoundStage! Shorts - The Story How Gryphon Began (September 2016)
  • SoundStage! InSight - Devialet History, ADH Technology, and Expert 1000 Pro (September 2016)
  • SoundStage! Shorts - Devialet's Phantom Loudspeakers (August 2016)
  • SoundStage! InSight - McIntosh Home Theater and Streaming Audio (July 2016)
  • SoundStage! Shorts - McIntosh MC275 Stereo Amplifier (June 2016)
  • SoundStage! InSight - McIntosh History and Autoformer Technology (June 2016)
  • SoundStage! InSight - NAD Viso HP50 Headphones (May 2016)
  • SoundStage! Shorts - GoldenEar Technology's Anechoic Chamber (May 2016)
  • SoundStage! Shorts - PSB's M4U 4 Earphones (April 2016)
  • SoundStage! InSight - GoldenEar Technology's Triton Two+ and Three+ Loudspeakers (March 2016)
  • SoundStage! Shorts -- KEF's LS50 (February 2016)
  • SoundStage! InSight -- Monitor Audio's Platinum II Series (January 2016)
  • SoundStage! Shorts -- Pryma 0|1 Headphones (December 2015)
  • SoundStage! InSight -- KEF's Blade Two Loudspeaker (November 2015)
  • SoundStage! InSight -- KEF and the Uni-Q (October 2015)
  • SoundStage! InSight -- Monitor Audio Acoustics & Aesthetics (August 2015)
  • SoundStage! InSight -- PSB's Imagine T3 Loudspeaker (June 2015)
  • SoundStage! InSight -- Hegel's H160 Integrated Amplifier-DAC (April 2015)
  • SoundStage! InSight -- MartinLogan's Neolith Loudspeaker (February 2015)
  • SoundStage! InSight -- Paradigm's Prestige Series (December 2014)
  • SoundStage! InSight -- Vivid Audio's Giya Series (October 2014)
  • SoundStage! InSight -- Totem Acoustic's Torrent Technology (August 2014)

To Hans Wetzel,

I was wondering if you had a moment to help me make a decision. The used prices of a Devialet 200 and Hegel [Music Systems] H360 are somewhat converging, making them an option for somebody like me. Doug Schneider wrote that you had both a Devialet 200 and the H360, making you uniquely qualified to share your insights. I was wondering what your feeling is about these two after having lived with them for a while. I love the detail and precision of the H360, though it is a bit drier than I would like in a perfect world. I listened to the Devialet 200 a year ago, and, while I loved the detail, I remember it being a bit like a disembodied musical experience, maybe more cerebral than visceral. What’s your verdict?

Sonja J.
United States

That’s a tough call, Sonja. Objectively, the Devialet is the better amp. Its utter lack of distortion and super-low noise floor make it a state-of-the-art one-box solution. The Hegel’s more traditional architecture means that it falls a bit short of the Devialet in each of those respects. That said, I find the character of their sounds to be fairly similar, so I can appreciate your finding the Hegel a little “dry” and the Devialet more “cerebral.”

For me, I’ve kept the H360 and will likely continue to do so until Hegel replaces it. The Hegel’s flexibility makes it a useful tool for a reviewer, and more importantly, I think that the Hegel sound hits all the right spots for me. However, if I were to retire my laptop and give up the reviewing game forever, I would probably go with the Devialet -- the sound, the remote, the network control using Devialet’s AIR, all makes plenty of sense to me.

Since the above probably isn’t of all that much help to you, I’d highly suggest you read my review of the Devialet Expert 130 Pro, which will be published on SoundStage! Hi-FI soon. It might prove illuminating. . . . Hans Wetzel