• SoundStage! Shorts - How Hegel's SoundEngine Works (October 2017)
  • SoundStage! InSight  - Estelon History and YB and Extreme Loudspeakers (September 2017)
  • SoundStage! Shorts - What Makes Hegel Different? (August 2017)
  • SoundStage! Shorts - Estelon Extreme Legacy Edition Loudspeaker (July 2017)
  • SoundStage! InSight - Amphion Overview and Technologies (July 2017)
  • SoundStage! Insight - Totem Acoustic Signature One Loudspeaker (June 2017)
  • SoundStage! Encore - The Cowboy Junkies'
  • SoundStage! Shorts -- Anthem's STR Integrated Amplifier (May 2017)
  • SoundStage! Shorts -- Paradigm's Perforated Phase Alignment (PPA) Lenses (March 2017)
  • SoundStage! InSight -- Paradigm's Persona 9H Loudspeaker (March 2017)
  • SoundStage! InSight -- Contrasts: Dynaudio's Contour and Focus XD Speaker Lines (February 2017)
  • SoundStage! Shorts - New Technologies in MartinLogan's Masterpiece Series
  • SoundStage! Shorts - Dynaudio/Volkswagen Car Audio (December 2016)
  • SoundStage! InSight - Gryphon Philosophy and the Kodo and Mojo S Speakers (January 2017)
  • SoundStage! Shorts -- What's a Tonmeister? (November 2016)
  • SoundStage! InSight - AxiomAir N3 Wireless Speaker System (December 2016)
  • SoundStage! InSight - Bang & Olufsen BeoLab 90 (November 2016)
  • SoundStage! Shorts - Gryphon Diablo 120 Integrated Amplifier (October 2016)
  • SoundStage! InSight - Dynaudio History and Driver Technology (October 2016)
  • SoundStage! Shorts - The Story How Gryphon Began (September 2016)
  • SoundStage! InSight - Devialet History, ADH Technology, and Expert 1000 Pro (September 2016)
  • SoundStage! Shorts - Devialet's Phantom Loudspeakers (August 2016)
  • SoundStage! InSight - McIntosh Home Theater and Streaming Audio (July 2016)
  • SoundStage! Shorts - McIntosh MC275 Stereo Amplifier (June 2016)
  • SoundStage! InSight - McIntosh History and Autoformer Technology (June 2016)
  • SoundStage! InSight - NAD Viso HP50 Headphones (May 2016)
  • SoundStage! Shorts - GoldenEar Technology's Anechoic Chamber (May 2016)
  • SoundStage! Shorts - PSB's M4U 4 Earphones (April 2016)
  • SoundStage! InSight - GoldenEar Technology's Triton Two+ and Three+ Loudspeakers (March 2016)
  • SoundStage! Shorts -- KEF's LS50 (February 2016)
  • SoundStage! InSight -- Monitor Audio's Platinum II Series (January 2016)
  • SoundStage! Shorts -- Pryma 0|1 Headphones (December 2015)
  • SoundStage! InSight -- KEF's Blade Two Loudspeaker (November 2015)
  • SoundStage! InSight -- KEF and the Uni-Q (October 2015)
  • SoundStage! InSight -- Monitor Audio Acoustics & Aesthetics (August 2015)
  • SoundStage! InSight -- PSB's Imagine T3 Loudspeaker (June 2015)
  • SoundStage! InSight -- Hegel's H160 Integrated Amplifier-DAC (April 2015)
  • SoundStage! InSight -- MartinLogan's Neolith Loudspeaker (February 2015)
  • SoundStage! InSight -- Paradigm's Prestige Series (December 2014)
  • SoundStage! InSight -- Vivid Audio's Giya Series (October 2014)

To Hans Wetzel,

I am looking for a new integrated amplifier. My Exposure RC-XXV (purchased in 2000; RC = remote control) is an upgraded version of the XX, [but it] has problems and parts are no longer available. These are the amps I’m considering: NAD Masters Series M32 DAC-integrated amplifier (read your review), Hegel Music Systems H160 (read your review), Leema Acoustics Tucana II, Luxman L-505uX, and the Pathos Classic One Mk.III or Classic Remix.

I’m in a large powered wheelchair, which makes it difficult to access most high-end shops in Toronto. I was hoping for some advice, guidance, or anything to aid in my purchase. I have listened to the Hegel H360 for an hour last month, and the Pathos 15 years ago. I owned a NAD integrated amp for 11 years and it won an award back in the early ’80s.

I read the reviews on the Leema over and over for the last several years. It’s pricey, but I like British equipment. Have you ever auditioned this amp? The Hegel H360 seemed to have slightly slower pace (my foot was not tapping) than my Exposure, but could be wrong (as I can’t use mine). It was nice -- soundstage and overall sound. But how does the H160 compare? The major hitch is the lack of analog inputs. As for the others, again any help would be fantastic. My other equipment includes an Audio Aero Prima DAC, Nakamichi MB-10 CD player, Music Hall MMF 2.1 turntable with a Benz-Micro MC20E2-L cartridge, Epos ES22 loudspeakers, and DH Labs Q-10 speaker cables with Revelation interconnects. I listen mainly to classic rock, progressive rock, and blues.

Sincerely,
Edward Holloway (SoundStage! reader since 2001)
Canada

Of the amps on your list, I’ve only heard the ones I’ve reviewed, though I have reviewed another of Luxman’s integrated amplifiers, the L-550AX (more below). No, I’ve never heard any of Leema’s amplifiers. With regards to Hegel, the H160 uses an older circuit design than the H360, but should still sound fairly similar in terms of its overall character, so if you didn’t fancy the H360, I doubt you’ll care for its older, less-powerful sibling.

It’s a little hard to tell what type of sound you like, but I think the fact that you owned an NAD integrated amp for so long means you appreciate a neutral, uncolored sonic profile. The NAD M32 might be the type of amp you’re looking for. It’s incredibly linear and clean sounding. It is also very revealing -- it has a wide-open, super-transparent sound that allows you to hear clear through to the back of a recording. What it does not have is much in the way of midrange body or bloom. There’s little warmth on offer, but I suspect that your turntable will help to richen up the proceedings. If you wanted an amp that’s a little more musically engaging in a traditional sense -- think vacuum tubes and class-A topology -- I’d steer you towards the Luxman. While the Luxman L-550AX I reviewed for SoundStage! Hi-Fi was a class-A design, and the L-505uX that you mention uses a class-AB architecture, I would bet that the Luxman house sound is ever-present. Considering the L-550AX not only won a Reviewers' Choice award, but also a Product of the Year award back in 2015, I’m betting the L-505uX is seriously good as well. . . . Hans Wetzel