• SoundStage! Shorts -- Anthem's STR Integrated Amplifier (May 2017)
  • SoundStage! Shorts -- Paradigm's Perforated Phase Alignment (PPA) Lenses (March 2017)
  • SoundStage! InSight -- Paradigm's Persona 9H Loudspeaker (March 2017)
  • SoundStage! InSight -- Contrasts: Dynaudio's Contour and Focus XD Speaker Lines (February 2017)
  • SoundStage! Shorts - New Technologies in MartinLogan's Masterpiece Series
  • SoundStage! Shorts - Dynaudio/Volkswagen Car Audio (December 2016)
  • SoundStage! InSight - Gryphon Philosophy and the Kodo and Mojo S Speakers (January 2017)
  • SoundStage! Shorts -- What's a Tonmeister? (November 2016)
  • SoundStage! InSight - AxiomAir N3 Wireless Speaker System (December 2016)
  • SoundStage! InSight - Bang & Olufsen BeoLab 90 (November 2016)
  • SoundStage! Shorts - Gryphon Diablo 120 Integrated Amplifier (October 2016)
  • SoundStage! InSight - Dynaudio History and Driver Technology (October 2016)
  • SoundStage! Shorts - The Story How Gryphon Began (September 2016)
  • SoundStage! InSight - Devialet History, ADH Technology, and Expert 1000 Pro (September 2016)
  • SoundStage! Shorts - Devialet's Phantom Loudspeakers (August 2016)
  • SoundStage! InSight - McIntosh Home Theater and Streaming Audio (July 2016)

Hear Music/Concord Music Group HRM-32814-02
Format: CD

Musical Performance ****1/2
Sound Quality ***
Overall Enjoyment ****

Paul SimonWith a long career full of accolades and awards (and sales), Paul Simon could be forgiven if he decided to coast for a while. He’d just rather not. He brought Brian Eno in to co-produce his last disc, Surprise (2006), and while the result showed a playful interest in Eno’s use of soundscapes and studio effects, the songs and the vision were unmistakably Simon’s. So Beautiful or So What continues some of that sonic experimentation. "Getting Ready for Christmas" includes a sample from the 1941 sermon of the same title by Rev. J. M. Gates, and Simon uses bits from the Golden Gate Jubilee Quartet in "Love and Blessings" and Sonny Terry in "Love Is Eternal Sacred Light." So Beautiful or So What takes mortality and spirituality -- or, more specifically, the afterlife -- as its themes, but Simon’s gentle touch, humor, and humanism ensure that his observations are never merely cynical. Aural delights abound, whether it’s the Indian percussion from Karaikudi R. Mani and his associates on "Dazzling Blue," the kora, a West African string instrument, on "Rewrite," or Vincent Nguini’s guitar playing. All those instruments would sound even more delightful were it not for the compressed sound, which cries out for audiophile mastering.