Several new releases piqued my interest this month, so I decided to seek out a few that I knew would be good. Before I discuss the music, however, my experience buying it is worth mentioning. Traditional methods of purchasing music are dying quickly. Have you noticed how drastically stores like Borders have whittled their music sections? What used to take up half of the store is now relegated to a tiny corner that offers only a handful of popular titles. Both independent and corporate-owned record stores are closing in droves, and buying music at a physical store is becoming a thing of the past. I’ve certainly been aware of the dire straits the music industry has been in for some time, but I’m still surprised by the state of retail stores.
But the good news is that prices are low. I purchased four new albums (well, technically five, as you’ll see in the first review below) for under $50. Ten years ago, CDs were nearly $20 each. And while I think the transformation of the purchasing experience puts more power in the hands of the artists and more money in the pocket of the consumer, I also miss the satisfaction of buying a physical product instead of a digital download. I like to hold the case in my hand, turn the pages of the liner notes, appreciate the weight of the package, and smile to myself in the mirrored disc, wondering how long it will be before all those elements are as outdated as 8-track tapes and gramophones.
Lin McPhillips 6-6644964442-9
Lin McPhillips spent 35 years in the Bay Area singing jazz, and she did a stint in the 1970s and ’80s with the jazz fusion group Solar Plexus, where she used synthesizers and electronics to create wordless vocals, becoming in effect a co-soloist with the other band members. McPhillips, who now resides in the Pacific Northwest, took 20 years off from performing so she could raise a family and teach singing, but she’s returned full force with My Shining Hour, a collection of 11 tracks of traditional vocal jazz.