In the past, Audio-Technica has made some good low-end turntables, as well as some toward the upper end of entry level—such as the AT-LP7, which I reviewed in March 2020. Some recent additions nicely fill in the gaps in the line: the AT-LPW30TK ($249 USD) and the subject of this review, the AT-LPW40WN ($299). They differ from each other mainly in that the ’40 has a motor with a speed-stabilization circuit, a carbon-fiber tonearm (the ’30’s arm is aluminum), and a better cartridge—Audio-Technica’s AT-VM95E, with elliptical stylus (the ’30 has A-T’s VM95C, with conical stylus). There are cosmetic differences as well: the ’40’s plinth is covered in walnut veneer, and its tonearm and 33⅓/Stop/45 control are black; the ’30 is finished in teak veneer, with silver arm and knob.
Read more: Audio-Technica AT-LPW40WN Turntable and AT-VM95E Cartridge
Mercury Nashville Records B0032689-02
Format: CD
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The title of Chris Stapleton’s new disc, Starting Over, suggests a new musical direction, but the 14 tracks on the album stay close to the singer’s roots in country, rock, and soul. His three previous discs established Stapleton’s commitment to his musical heritage, and Starting Over reaffirms his ability to handle a variety of genres easily and naturally.
To paraphrase the titular character of the film V for Vendetta, “who” is but the form following the function of “what,” and what I am is a great big AV geek.
My wife walked past the credenza in our bedroom the evening after I installed DALI’s Oberon 5.1-channel home-theater speaker package, ran her hand delicately across the Light Oak vinyl finish of the Vokal center speaker, and confidently proclaimed, “We’re keeping these.” Not a question. Not a request. A statement of fact.
Read more: DALI Oberon 1 / Vokal / E-9 F Home-Theater Speaker System
Concord Records CRE01393
Format: CD
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Elvis Costello’s 31st studio album, Hey Clockface, comprises 14 tracks that the songwriter recorded in three cities: Helsinki, Paris, and New York. He used different sets of musicians in Paris and New York, and played all the instruments on the three songs recorded in Helsinki. The album takes in the many styles he’s embraced over his career, from new wave rock to sophisticated pop, jazz, and other, more experimental genres, but he pulls the disparate elements together into a pleasing and cohesive whole.
I was introduced to Schiit Audio a few years ago, as I looked for a headphone amp to power my notoriously inefficient HiFiMan HE-500 ’phones. Again and again, one amp kept coming up as a price/performance champ: Schiit’s 1Wpc, class-A Asgard 2 ($249, discontinued, all prices USD). The price was right, so I took a chance. It paid off. Class-A amplification is kind of addictive.
Read more: Schiit Audio Modi Multibit Digital-to-Analog Converter
Tompkins Square TSQ 5692
Format: CD
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Born and raised in Salt Lake City, singer-songwriter Sam Burton taught himself guitar and played in local bands before relocating to Los Angeles and joining fellow singer-songwriter Jess Williamson’s touring band. He’s clearly kept his ears open to a lot of folk, country, and other pop music styles, and put it to good use when he started writing and recording his own songs. He released some well-received homemade cassettes, gaining a following for his music and a record deal with San Francisco label Tompkins Square. There he met producer Jarvis Taveniere, who is also a member of Woods, a Brooklyn-based folk rock band. Taveniere and Burton co-produced I Can Go With You, Burton’s debut album.
If you regularly read my turntable reviews, you should already have a pretty good idea of the albums and cuts I use when I’m reviewing a table for SoundStage! Access. But you probably don’t know why I use them. Here’s the scoop on the five albums I use most frequently and a couple of outliers that occasionally see the platter.
Few turntables come with names longer than Pro-Ject Audio Systems Debut Carbon Evo, but much information is encrypted in that long handle. Pro-Ject, of course, is the Austrian firm that makes turntables in its factory in the Czech Republic. Debut indicates that this model is a member of Pro-Ject’s wide entry-level line, Carbon that its tonearm is made of carbon fiber, and Evo that it’s the latest generation of the Carbon arm. Pro-Ject describes the turntable as embodying “the epitome of Pro-Ject’s philosophy: high performance, clean aesthetics, and superb value.” Strong claims -- but Pro-Ject has a long-established rep for making turntables that have all those qualities.
Read more: Pro-Ject Audio Systems Debut Carbon Evo Turntable and Sumiko Oyster Rainier Cartridge
Columbia Records 19439811582
Format: CD
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Last year, Bruce Springsteen released Western Stars, and it was unlike anything he’d done before. The album was inspired by the Southern California pop records of the late ’60s and early ’70s, and it seemed to free Springsteen to let the music flow more easily than it had for most of his albums since The Rising (2002). Western Stars felt like the work of a musician who had rediscovered the joy of making music.