SoundStage! Access | SoundStageAccess.com (GoodSound.com)

Reviews of Attainable Hi-Fi & Home-Theater Equipment

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Details: Written by: Thom Moon; Created: 01 August 2022

Back in 2008, I reviewed Rotel’s RCD-1072 CD player for GoodSound!, the predecessor to SoundStage! Access. At that time, I wrote: “Twenty-five years after the CD’s introduction and its promoters’ promise of ‘perfect sound forever,’ the little silver disc appears to be spinning out of our lives. CD sales are in a tailspin, superseded by downloads from websites such as iTunes and Rhapsody. Some people are as appalled by this situation as vinyl stalwarts were in 1983. I’m one of them.”

Read more: Rotel CD14MKII CD Player

Details: Written by: Thom Moon; Created: 01 July 2022

Reviewers' Choice Back in 2018, Sumiko expanded its well-known Oyster line of moving-magnet/fixed-coil phono cartridges with four new entrants. Three of these are the Rainier ($149, all prices in USD), the Olympia ($199), and the Moonstone ($299). The only difference between these models is the stylus, which is upgradeable. For example, you can upgrade a Rainier to a Moonstone just by substituting the stylus. The lineup also includes the related but only partially interchangeable Amethyst cartridge ($599). Very recently the company filled a gap in this lineup with the new Sumiko Oyster Wellfleet cartridge, which lists for $449. The extra $150 you’ll pay over the price of the Moonstone gets you an elliptical 0.3 mil × 0.7 mil stylus, nude-mounted on a 0.5mm aluminum pipe.

Details: Written by: Thom Moon; Created: 15 June 2022

Many of the records in my collection date back to the pre-CD days—some back to the 1960s. Most of them have been played a lot over the years. And until 1972 or so, I regret to say, I didn’t have anything with which to clean them. So some are a bit grungy.

Details: Written by: Dennis Burger; Created: 01 June 2022

Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.

Reviewers' Choice I don’t think I’ve ever prejudiced a review as much as this one. It started with an editorial in which I questioned the need for external digital-to-analog converters outside of specific use cases, such as adding digital connectivity to an all-analog setup, or adding support for formats not handled natively by the internal DAC of a beloved piece of gear. Brent Butterworth and I followed that up with a discussion on the SoundStage! Audiophile Podcast, in which we basically concluded that DACs have become a commodity, which is an increasingly common sentiment in the industry. But as I said in my unboxing blog post for iFi Audio’s Zen One Signature, if there’s one DAC that I think has the potential to address all of the relevant use-cases listed above while also being reasonably priced, it’s this one.

Details: Written by: Thom Moon; Created: 15 May 2022

Personally, I’ve always liked automatic turntables. Automatic refers to the way they work with records. On most manual turntables, you have to pick up the arm and manually place it in the lead-in groove, hence the name. A semi-automatic will either stop rotating at the end of a side, or in some cases, stop rotating and lift the arm from the disc, but starting the record is still a manual operation.

Details: Written by: Dennis Burger; Created: 01 May 2022

Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.

Reviewers' Choice I should probably state right from the giddy-up that there’s going to be a lot of overlap between my review of Rotel’s new A12MKII integrated amplifier-DAC ($1099.99, all prices USD) and that of the company’s A11 Tribute ($799.99) from around this time last year. There are, after all, a lot of similarities in terms of aesthetics, ergonomics, design, and of course sound. But don’t get lulled into a trance by the repetition; there are some significant differences between the A11 Tribute and A12MKII that may or may not be relevant given your needs, preferences, and the rest of your stereo setup.

Details: Written by: Dennis Burger; Created: 15 April 2022

Note: measurements taken in the anechoic chamber at Canada's National Research Council can be found through this link.

It’s getting to the point where even the most elitist high-end audio enthusiasts have to admit that the performance delta between affordable and aspirational audio gear is shrinking at an ever-increasing rate. More and more these days, the things that separate budget components from the spendy stuff are styling, materials, finishes, pedigree, exclusivity, and so forth. All valid, mind you. I’m not discounting any of them. But there’s also a good argument to be made that at the upper end of the value scale—meaning the lower end of the price scale—there aren’t a whole lot of speakers that can peel your face straight off your skull in a really large room while also being refined and balanced at lower listening levels. I’d say my go-to in this category is GoldenEar Technology’s Triton Two+, but at $4500/pair (all prices USD), that one is still quite out of reach for a lot of people. All of which makes Paradigm’s new Monitor SE 8000F—a $1699.98/pair beast of a loudspeaker that promises to fit this niche—potentially very exciting.

Details: Written by: Dennis Burger; Created: 01 April 2022

Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.

Reviewers' Choice NAD’s new C 399 (with or without its BluOS-D expansion module) is a fascinating integrated amp straight out of the box. Fascinating because, despite claiming the top spot in the company’s Classic Series lineup and sharing that family’s aesthetic and naming conventions, it is in a lot of ways a bridge between the Classic and Masters Series, employing as it does the Ncore amplifier technology previously used in the latter, as well as the same 32-bit/384kHz ESS Sabre DAC chip used in the Masters M10 and M33.

Details: Written by: Thom Moon; Created: 15 March 2022

I started collecting LPs and singles back in my blushing youth, about a million years ago. At first, I admit, I didn’t care for them very well. But when the Discwasher first came out in 1972, I took the leap and bought one. While it didn’t deep clean really dirty records, it was great for new purchases and kept them pretty much like new.

Details: Written by: Dennis Burger; Created: 01 March 2022

Note: Measurements taken in the anechoic chamber at Canada's National Research Council can be found through this link.

Reviewers' Choice What metrics should we use to evaluate the success of a loudspeaker, or even a full speaker lineup? Longevity? Value? Pure sales numbers? Customer satisfaction? Brand recognition? Glowing subjective reviews? Objective measurements? Ultimately, when it comes to Monitor Audio’s Silver series, it sort of doesn’t matter. No matter your preferred criteria, the Silver line has, since its introduction in 1999, represented a Goldilocks zone of performance and price for oodles of audio enthusiasts, largely due to its understated but elegant design, commonsense engineering, attractive MSRP, and overall lack of silliness.